The artwork titled “We Fishing the Time (worm’s holes and densities)” was created by Ernesto Neto in 1999. It belongs to the Post-Minimalism art movement and is classified under the genre of installation art.
This particular installation features an array of amorphous, drooping forms suspended from the ceiling. These forms resemble soft, organic shapes that hang in varying lengths, creating an immersive environment. The material appears translucent and has a gradient that transitions from a lighter hue at the top to a darker tone at the bottom, enhancing the sense of depth and gravity. The overall structure evokes a sense of fluidity and gentle motion, inviting viewers to navigate through and engage with the spatial composition. The minimalist color palette and abstract forms emphasize the physical experience of space and material, a hallmark of Neto’s work within the Post-Minimalism movement.
