The artwork “Untitled,” crafted by Max Bill in 1972, is an exemplary piece from the art movement Concretism, characterized by its abstract genre. Bill, renowned for his contributions to this art movement, employs a geometric and mathematical approach to create a visual manifestation of concrete art principles.
In this particular artwork, the composition is centered around a square canvas positioned in a diamond orientation. The piece features a large central square in a soft pastel hue, framed by alternating stretches of pale blue and lavender quadrilaterals, forming a rotational symmetry around the center. The subtle use of color, shape, and alignment conveys a sense of harmony and balance, quintessential to the principles of Concretism. The overall aesthetic is minimalistic and precise, reflecting Max Bill’s mastery in manipulating geometric forms to create visual order and intrinsic beauty.
