The artwork, known as “Repenting of St. Jerome, also called St. Jerome with Cardinal Hat,” is attributed to Georges de La Tour, a prominent French Baroque painter. The work was created during the period between 1624 and 1650, using oil paints on a canvas surface. It is a notable example of the Tenebrism movement, recognized for employing stark contrasts of light and shadow to achieve a dramatic effect. The painting’s dimensions are substantial, measuring 109 by 152 centimeters, and it falls within the category of religious paintings. This particular piece can be found in the Nationalmuseum located in Stockholm, Sweden.
In the artwork, St. Jerome is depicted in a state of penitence, a common theme for religious art in the period. His bare torso conveys vulnerability and ascetic devotion, an aesthetic that contrasts with the cardinal hat and robe that signify his status within the church. He is seated, with strained facial features that suggest contemplation or prayer, and holds a crucifix, symbolizing his focus on faith and the penitential nature of the scene. Beside him lie stones, which might represent his self-mortification, and a skull, which is a classic symbol of memento mori—a reminder of mortality. At his feet are a book and a paper with visible text, elements which emphasize the scholarly aspect of St. Jerome, who was known for his translation of the Bible into Latin (the Vulgate). Displaying typical Tenebristic characteristics, the painting contrasts the sharp illumination on St. Jerome’s body with the dark, muted background, directing the viewer’s attention to the subject and his internal struggle.
