The artwork “Matthew Baillie” by Charles Turner, created in 1809, is a portrait that is affiliated with the Romanticism movement. This image depicts a man seated in an armchair, giving the impression of a formal and dignified pose. The subject is dressed in clothing appropriate for a gentleman of his time—a coat with buttons and what appears to be a cravat at his neck. His expression is serene, thoughtful, and perhaps reflective, his gaze directed slightly off to the side rather than looking directly at the viewer, which is a common stylistic choice in portraiture to add a sense of contemplation or introspection.
The portrait is finely detailed, showing the textures of the man’s clothing and the chair upholstery. The background is subdued and dark, with hints of drapery, which helps to focus attention on the subject. The overall execution of the portrait is characteristic of the Romantic period’s emphasis on individuality and emotion, although this particular work leans more towards a formal representation rather than the heightened drama or natural settings often associated with Romantic art.
Engraved inscriptions below the image provide information about the artist and the engraver, acknowledging the portrait’s painter, Thomas Phillips, and the engraver, Charles Turner. The style of engraving and printing is consistent with the period, offering a rich tonal depth and contrast that was highly valued in fine printmaking of the time.
