Mary O’Donnell (1791) by Charles Willson Peale

The painting titled “Mary O’Donnell” was created by the artist Charles Willson Peale in 1791. Despite the provided information classifying it as Rococo, it is more accurately described as characteristic of the American portrait style of the late 18th century. The artwork is a portrait genre painting.

Examining the image, the artwork captures a young child seated in a wooden chair with a formal upright posture. This is likely Mary O’Donnell as the title suggests. The child’s outfit is of the period, with a white dress embellished with small decorative elements that catch the light, creating a sense of texture. The dress also features puffed sleeves and a low neckline, typical of the era’s fashion. A prominent pink sash adds a pop of color against the white dress, and a small bouquet of red flowers centered on the chest draws the eye.

The child’s facial features are rendered with a softness and warmth, which is characteristic of Peale’s style, with rosy cheeks and detailed eyes that suggest a sense of life and personality. Her brown hair is lightly curled and frames her face, and in her hand, she holds what seems to be a few cherries, which adds a playful element to the otherwise formal pose.

The background of the painting is relatively subdued, with darker tones that make the figure stand out. The simple, almost austere backdrop contrasts with the detailed rendering of the dress and the child’s expression, focusing the viewer’s attention on the subject.

It’s worth noting that the maturity in the child’s expression and the formal composition are typical of portraiture from this period, as artists often depicted children as small adults. Peale’s attention to detail and the lifelike depiction of Mary O’Donnell is indicative of his skills and is an excellent representation of the portrait genre from that time in American history.

Scroll to Top