| Before |
|
|
| Before the Seduction and After |
1731 |
oil,canvas |
| Benefit ticket (Mr Milward)' A Bold Stroke for a Wife |
|
|
| Blowing off about his new Copyright Act |
|
|
| Caliban from "The Tempest" of William Shakespeare |
|
|
| Central panel of the altar triptych, St Nicholas, Bristol |
|
|
| Characters and Caricaturas |
1743 |
|
| Columbus Breaking the Egg (Christopher Columbus) |
1752 |
|
| Credulity, Superstition, and Fanaticism |
|
|
| Cruelty in perfection |
1751 |
|
| The Marriage Contract |
c.1743 - c.1745 |
oil,canvas |
| The murder of the count |
c.1743 - c.1745 |
oil,canvas |
| The Pit |
|
|
| The Polling |
1754 - 1755 |
oil,canvas |
| The Pool of Bethesda |
1736 |
oil,canvas |
| The prison |
1732 - 1735 |
oil,canvas |
| The Reward of Cruelty |
1751 |
engraving,paper |
| The Roast Beef of Old England |
|
|
| The servants of the painter |
1750 |
oil,canvas |
| The Shrimp Girl |
|
|
| David Garrick and his Wife |
1757 |
oil,canvas |
| David Garrick as Richard III |
1745 |
oil,canvas |
| Election Propaganda |
1754 - 1755 |
oil,canvas |
| Emblematical print of the South Sea Scheme |
1721 |
engraving,paper |
| English librettist Thomas Morell |
|
|
| Falstaff Examining His Recruits |
1728 |
oil,canvas |
| First stage of cruelty |
1751 |
|
| Frontispiece and its explanation (Hurdibras) |
|
|
| Frontispiece of Fielding's 'The tragedy of tragedies' |
|
|
| George Arnold |
c.1740 |
oil,canvas |
| The sleeping church |
1728 - 1729 |
oil,canvas |
| The Staymaker |
c.1744 |
oil,canvas |
| The Strode Family |
c.1738 - c.1742 |
oil,canvas |
| The Tete-a-Tete |
1743 |
oil,canvas |
| The Theft of a Watch |
c.1731 |
oil,canvas |
| The Times' |
|
|
| The Times, plate 2 |
1762 - 1763 |
|
| The triumph of Representatives |
1754 - 1755 |
oil,canvas |
| The Wedding Banquet |
c.1745 |
oil,canvas |
| The Wedding of Stephen Beckingham and Mary Cox |
c.1729 |
oil,canvas |
| Gerard Anne Edwards in His Cradle |
1733 |
oil,canvas |
| Gin Lane |
1750 - 1751 |
etching,paper,engraving |
| Hogarth Painting the Comic Muse |
|
|
| Hudibras |
|
|
| Hudibras Encounters the Skimmington, from 'Hudibras', by Samuel Butler |
1726 |
engraving,paper |
| Hudibras' First Adventure, from 'Hudibras' by Samuel Butler |
|
lithography,paper |
| Inigo Jones |
|
|
| John Henley with five unknown figures |
|
|
| John Wilkes |
1763 |
|
| Lame theater |
|
|
| Time smoking a picture |
|
|
| Times of the Day: Evening |
|
lithography,paper |
| Times of the Day: Morning |
|
engraving,paper |
| Times of the Day, Noon |
1738 |
engraving,paper |
| Tyburn Large |
|
|
| The Shrimp Girl |
c.1740 - c.1745 |
oil,canvas |
| Visit with the Quack Doctor |
c.1743 - c.1745 |
oil,canvas |
| Wanstead Assembly at Wanstead_ House |
c.1731 |
oil,canvas |
| Rake's Progress' The Gaming House |
1732 - 1735 |
oil,canvas |
| Le Libertin à Bedlam |
1734 |
|
| Lord Hervey and His Friends |
c.1738 - c.1739 |
oil,canvas |
| Marriage |
1732 - 1735 |
oil,canvas |
| Married to an Old Maid |
|
lithography,paper |
| Mary Toft, apparently giving birth to rabbits |
1726 |
|
| Miss Mary Edwards |
1742 |
oil,canvas |
| Moses Brought Before Pharaoh's Daughter |
1746 |
oil,canvas |
| Moses Brought to the Pharaoh's Daughter |
1752 |
etching,paper |
| Mrs Catherine Edwards |
1739 |
oil,canvas |
| Industrious 'Prentice Performing Duties of Christian |
|
|
| A Scene from the Beggar's Opera |
1728 - 1729 |
oil,canvas |
| William Cavendish, Marquess of Hartington, Later 4th Duke of Devonshire |
1741 |
oil,canvas |
| William Jones |
1740 |
|
| Portrait of Augusta of Saxe Gotha |
c.1736 - c.1738 |
oil,canvas |
| Portrait of a Young Woman |
|
oil,canvas |
| Portrait of Bischofs Benjamin Hoadly |
c.1743 |
oil,canvas |
| Portrait of Captain Coram |
1740 |
oil,canvas |
| Portrait of Dr. Benjamin Hoadly |
c.1738 |
oil,canvas |
| Portrait of en'Francis Dashwood, 15th Baron of Despencer |
|
|
| Portrait of Lady Mary Grey and Lord George Grey |
1740 |
oil,canvas |
| Portrait of Lord George Graham in his saloon |
|
|
| Portrait of Madam Salter |
1744 |
oil,canvas |
| Portrait of Sarah Macholm in Prison |
1733 |
oil,canvas |
| Prospero and Miranda from "The Tempest" of William Shakespeare |
c.1728 |
oil,canvas |
| Royalty, Episcopacy and Law |
|
|
| Satan, Sin and Death |
1740 |
oil,canvas |
| Scene in a Tavern (The Orgy) |
1732 - 1735 |
oil,canvas |
| Scholars at a Lecture |
|
engraving,paper |
| Second stage of cruelty |
1751 |
|
| Self portrait |
c.1757 |
oil,canvas |
| Self-Portrait |
1745 |
oil,canvas |
| Self portrait (from the Gate of Calais) |
|
|
| Sigismonda |
1758 - 1759 |
oil,canvas |
| Simon Fraser, 11th Baron Lovat |
|
oil,canvas |
| Southwark Fair |
1733 |
oil,canvas |
| Stand of arms and instruments |
|
|
| Strolling Actresses Dressing in Barn |
1738 |
|
| Suicide of the Countess |
c.1743 - c.1745 |
oil,canvas |
| Surrounded by Artists and Professors |
|
lithography,paper |
| Taste in High Life |
|
|
| The arrest for theft |
1732 - 1735 |
oil,canvas |
| The Ashley and Popple Family |
1730 |
oil,canvas |
| The Children's Theater In The House Of John Conduit |
1731 - 1732 |
oil,canvas |
| The Ball |
c.1745 |
oil,canvas |
| The Banquet |
1754 - 1755 |
oil,canvas |
| The Bathos |
|
|
| The Battle of the Pictures |
1743 |
engraving,paper |
| The Bench |
c.1758 |
oil,canvas |
| The Bench |
1758 |
engraving,paper |
| The Chorus |
|
lithography,paper |
| The Company of Undertakers |
|
|
| The Countess's Morning Levee |
c.1743 - c.1745 |
oil,canvas |
| After (Outdoor Scene) |
|
|
| The Denunciation |
c.1729 |
oil,canvas |
| The Distrest Poet |
1729 - 1736 |
oil,canvas |
| The Enraged Musician |
1741 |
|
| The Fishing Party |
c.1730 |
oil,canvas |
| The Five Orders of Perriwigs |
|
lithography,paper |
| The Fountaine Family |
c.1730 |
oil,canvas |
| The Four Times of Day: Night |
1736 |
oil,canvas |
| The Gaols Committee of the House of Commons |
|
|
| The Good Samaritan |
1737 |
oil,canvas |
| The Graham Children |
1742 |
oil,canvas |
| A Harlot's Progress, plate 1 |
1732 |
print |
| A Harlot's Progress, plate 2 |
1732 |
engraving,paper |
| A Harlot's Progress, plate 3 |
|
engraving,paper |
| A Harlot's Progress, plate 4 |
|
|
| A Harlot's Progress, plate 5 |
|
|
| A Harlot's Progress, plate 6 |
|
|
| A Just View of the English Stage |
1724 |
|
| A Midnight Modern Conversation |
|
lithography,paper |
| The Analysis of Beauty |
1753 |
|
| Before |
|
|
| The heir |
1732 - 1735 |
oil,canvas |
| Satire on False Perspective |
|
oil,canvas |
| The Invasion, England |
1756 |
print |
| The Invasion, France |
1756 |
print |
| The Lady's Last Stake |
c.1759 |
oil,canvas |
| The Laughing Audience (or A Pleased Audience) |
|
|
| The Lottery |
|
|
| The Mackinen Children |
1747 |
oil,canvas |
| The Madhouse |
1732 - 1735 |
oil,canvas |
| The March of the Guards to Finchley |
1750 |
oil,canvas |
| The March To Finchley |
1750 |
Etching And Engraving |
| The rake's progress the rake in Bedlam |
1735 |
Oil on Canvas |
| John Wilkes, Esq. |
1763 |
Engraving |
| The Bruiser |
1763 |
engraving,paper |
| Beer Street |
1751 |
engraving,paper |