The Resurrection of Christ, an artwork by Rembrandt completed in 1639, finds its home in the Bavarian State Painting Collections in Munich, Germany. This oil painting measures 94 x 67 cm and belongs to the Baroque and Tenebrism art movements, notable for its dramatic illumination and intense plays of light and shadow. As a piece of religious painting, it offers a vivid portrayal of one of the foundational narratives of the Christian faith.
In the artwork, the central focus is an ethereal depiction of Christ rising from the tomb, bathed in a powerful light that illuminates the surrounding darkness. This radiance accentuates the divine nature of the event. Rembrandt has skillfully harnessed the Baroque style to highlight the contrast between the celestial glow surrounding Christ and the tumultuous reaction of the guards, who are depicted in a state of chaos and consternation at the miraculous event unfolding before them.
The guards are portrayed in various postures of shock, awe, and fear, with some falling to the ground and others turned away, unable to face the miraculous sight. Their armor and weapons add a dark, earthly weight to the composition, which juxtaposes with the light and graceful figure of Christ. This stark contrast serves to emphasize the triumph of the spiritual over the mortal, a common theme in religious artworks of the period.
Rembrandt’s use of tenebrism is evident in the extreme chiaroscuro, the technique of using strong tonal contrasts between light and dark to achieve a sense of volume in modeling three-dimensional objects and figures. The dominating shadows engulf much of the scene, enveloping it in a profound darkness that further highlights the figure of Christ as the source of divine light. In this profound and dramatic representation, the artist not only narrates the story of Christ’s resurrection but also invites contemplation on the themes of faith, enlightenment, and redemption.